Turtle Soup

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The Happening

I went to see The Happening last night, courtesy of my rockin' dentist Arthur Kamin who gives me a $25 cineplex gift card every time I refer a client to him. Of course, I read the NOW magazine review first, and in hindsight, after having seen the movie, I wonder how in tarnation the reviewer missed the parodic elements of this movie. Not a new concept: this is obvious. It follows close on the heels (run for the hills!) of other apocalypse movies such as Cloverfield, 28 days later, 28 Weeks Later, The Mist, The War of the Worlds, and others. But really, who cares about originality when you can have knowing winks, intentionally flat acting to make you wonder what's the real difference between the zombies and the normals (there's none, really), and overly dramatic music that contrapuntally lambastes the banal repartee.

M. Night Shymalan has crafted an underhanded classic in my opinion. All the "bad aspects" of the film, he has somehow recuperated into a work of subtle parody. The NOW reviewer complained of a lack of story. What apocalypse movie has a "story." It's the end of the world for chrissake. People go crazy. Narrative loses its importance in the face of mere survival. The randomness of the beginning and end of this environmental crisis complements the vagueness of the title. Those that survive, like in 28 days later, have to reform the family unit along non-biological lines. While Shymalan breaks the rules of the apocalypse film by refusing to divulge the true cause of it, among the many explanations given, he favours one with a Janus-faced nature: one of ecological catastrophe, and a flaky, but grand plant response to imminent ecological catastrophe. It is telling that Shymalan opposes this explanation to the government conspiracy theory at the end, as shown on a TV debate between an expert warning of human hubris and a host who sides with the government conspiracy explanation, taking a facile fourth estate position. This is basically a confrontation between current left and right political tendencies. The left urges responsible ecological business practises, while ultimately, any conspiracy theory ends up serving the purposes of the Right, by making the government seem more omnipotent than they actually are.

I give "The Happening" three and a half out of five stars. Even though some people were complaining about it after the movie let out, it made people laugh with both ridiculous banalities and over-the-top gore, and at points it freaked them out. That said, Shymalan should stop trying to be Alfred Hitchcock. He's good, but he'll never live up to the master... Both this movie and The Mist owe a heavy debt to The Birds. Luckily, The Happening comes out on the correct and true side of the political spectrum, whereas The Mist has some disturbing rightest tendencies.

Here's what others liked about my blog

Here are the top three visited posts on my blog, at least for the last three months. I have provided links in case you're interested. Please bookmark my blog and visit often!

Drum Roll please:

1. http://theinvisibletruth.blogspot.com/2007/06/out-of-control-desire-to-win.html
2. http://theinvisibletruth.blogspot.com/2006/08/small-face-lovely-breast.html
3.. http://theinvisibletruth.blogspot.com/2006_06_01_archive.html

Have a ball!

Penguin Sculpture

Haiku of Bling

Tarnished silver ring
Reaches ear, tellingly clear
Waiting for its jewel

The Taj Mahal in a Bubble

My first piece of video art. (The other one didn't count).

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The Dance Part II

The Dance

The Guitar

La Guitar



I am the head held high, the invasion of aspirations to become part of the world, to catch up with its spinning; I will the mysticism of movement, the self-love of grace, the lovesick bliss of moons too subtle to behold; I move not only bodies, but souls, the emotions in them kicking and straining to the sound of fingers sea-sawing across ore dredged up from the earth and stretched into strings that sing into the anti-matter of the universe and draw out its anti. The air holds the memory of each of our positions for a moment before it disappears into the warm sheath of metabolism. I am the pleasure given unto people by the empty body of trees sacrificed to the health of a community, the dark cloud spreading around the head of the player, on which we can dance to remember the reasons we are.

Drawing by Cecile Carriere. Poetry by Trevor Cunnington. Copyright held by author and artist.

Goodbye Winter, It's Been a Blast

I'll never forget you.

Chance Meeting With An Ex-Boyfriend

Yesterday I saw you
on the street in front of my house.

no nostalgia, no self-pity, no anger,
no way to say circuitous affection.

your eyes are beautiful, but
opaque, blue sky hiding stars.

we both sported our weekend scruff,
wine bottle in my pocket,
friends on your mind.

you may think me solitary
but that's just the headline.

I don't think I fit through
your pupils anymore.

The Assassination of Space

The Day Time Stood Still

The Rorschach Language (for Gregory)

The band width rehabilitation:
a hand with palm leaves left the grapes
heaving. The grave egg
felt the sighing wasteland
bereaved. The landscape
is filled with goats
eating away soil-preserving
vegetation; get away at a space station;
this total recall never stops
like bad aspirin on convenience store shelves,
or in gas stations.

Feel the hand
of invisible vitaes, humours of the yet vitreous sand
settling down the bristle highway;
hustle the gristle off a chicken bone
in a vice, bursts forth, the marrow, a whistling
is heard, a train beckoning forth movement, the music
of regular repetitions; travel, the whip-poor-will's wail
makes the will flag, flap, brazen
over the sublime curve of lizards head,
tasting the air,
one-stop shopping for oxygen; the bar
that didn't take off; the ticket
that never exploded hampered our progress:
pilgrims bearing grim tidings and pilfered
plates, leaving no crumb of the milk and cookies
unturned, an unearned dollar is time wasted,
the representatives of submersion wield an
ace-in-the-hole; they fire the ancient
coercion, stoke the chimney.
No key to need a door above desire
hovering, the numina of unwarranted silence.

The Rorschach Language (for Gregory)

The absent-minded pen wreckons
shenanigans past due when a rainbow stretches
across the meadow,
a cross, a gaul, gothic enclosure, an apse that's a trap.

By traipsing, I meant positively the end of bored, part
of enigmatic processes of transformation
on your finger-tips, but now reach for your tongue,
to speak the punching fist
gut-punchers playing whist
lining up, about to embark on Red Rover
renovated on a darned onco-mice hair welcome
mat, come well, tame the impulse;
across meadows a porcine thing squeals into hollow
nooks and crannies, appearing to expand beyond every
possible comprehension, a damper dew of
consequences, bound to daub paint on horse-hair.

The doggeral in its lair wrests meaning out of your mind.

If my foot fell asleep while I wrote this poem,
would there be enough of you in it to claim it as your own?

Let's paint images of each other on the inside of each other's
eyelids. Not much for chums and romance, a ton of humungous
cameros throttling the mustard gas memorandom, as buzzardly
as random victims carry on victorious, we will sail away.

Before lewd layaways, laissez-faire time cushions,
we forgot how to fashion mitres, for mights, weights, and what-have-you?
a scepter of suspicion. conscience: If I were to put all of humanitee
on a pedestle, they would all fall under my pestle,
and I would grind their love out, some way, some day,
and even judgement shall be suspended
as the charms take effect. Arms will stand out of harm's way.
A medallion of home whispers the demos
to remonstrate on piers about the departure of monstrocities
and friends yet unattained,
they sing a hymn to you, back in the world of reference,
I'm having a good time. I strive for the good, or everyone thinks they do.
Things that are. The do that is. The is that does.
But my good, trespass as it will on its own disavowed lawn,
will dispense with showy lustre.

It will strive towards you, where two faces meet,
a vase holds a white and pink rose.

The you that knows, and that won the snow.

The Entropic Sublime

Metamorpho-sisterhood