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Thursday, September 25, 2008

New Tactics of The Invisible Truth. A Laboratory of Poetry and News.

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So I've been messing around with my blog here, and I've attached an RSS feed, so you can now subscribe to my dazzling posts! I've also arranged to mail ten friends whenever I update my blog, so if any of you mind, then let me know, and I'll take you out of the mix. Information saturation is no joke! I've started embedding links in some of the posts as well, so if you see a word underlined, then that's why!

I've been experimenting a bit with writing poetry about specific trails I follow through the internet, but I've found formatting them a bit of a challenge. Therefore, I haven't posted any of these experiments. If you click the title of this post, it will take you to a site with people who are doing very interesting things with the intersection between the art of film and the art of poetry.

Also, I highly recommend checking out www.blublu.org, and click on the MUTO video link. Absolutely amazing video art. It is one of two videos that really overcame my inherent prejudice against video (even though I occasionally dabble in it too, as you can see). By dabble, I mean use short (less the 30s) clips shot with a mid-range digital camera, edit them together, and add music that I composed to the soundtrack, although one of the other videos in my archive included other artists in the soundtrack.

That's all for now! Until next time my friends!

The Growing Light

Tuesday, September 09, 2008

Why "Greening" is good for the Economy

Dear Lorne Gunter:

At first, let me pre-emptively forgive you for being named Lorne. I have a certain amount of sympathy for anyone who shares a name with Mr. Green, of some eighties wilderness show fame, you know, the show where they did terrible things to animals in order to make them do exciting things for the cameras. See, the show's name is so memorable I've forgotten it.

But really, in your article "Dion Ex Machina," in The National Post you make the translation "God in the machinery" for the literary device deus ex machina. Where'd you get your degree in literature? Phoenix University? I thought so. It's "God out of the machine," you idiot. I know you've been reading wikipedia lots lately, and you seem to have read the first paragraphs in wikipedia's article about neoclassical grievances with the device as a crutch for an intractable plot problem. But you neglected to consider the effectiveness of the device as used in enduring classics of the theatre, such as oh, say, Euripedes' Medea, which has survived, and been studied and loved since 431 B.C.; The Illiad, one of the cornerstones of Western snivelization; and good ole Bertolt Brecht's Threepenny Opera.

I bet you thought you were clever when you applied this literary device to Stephane Dion's plan to reduce our carbon footprint. It's good that you demanded concrete details. It's bad you think "greening" is just going to cost money, and not generate oodles of wealth. Most economists I know predict that the next booming sector of the economy is the green sector, and they seem sure that it will match or surpass the dotcom boom of the late nineties. Moreover, all those coal-producing and gas burning and nuclear generating technologies you say are already entrenched will cost us far more in the long run than switching to green technologies. What was the cost of Hurricane Katrina again? Oh yeah, don't listen to the majority of scientists who link the greenhouse effect with such storms, they're stupid, right? Duh! Get with the program Mr. Gunter. Green technologies generate wealth; they don't just cost money.

Sunday, September 07, 2008

Lunch with the Furies

I finished Salman Rushdie’s book Fury a couple weeks ago. I think living in America has ruined one of the greatest writers of our time. Fatwas, the occasional newspaper article aside, Rushdie has fallen into a creative abyss. Sure he can play with language, sure he can wax poetic, but as many have told me, that doesn’t necessarily make for a good novel. It was full of insight about modernity, including a knowing wink at certain postmodern philosophers like Baudrillard but ultimately it failed as a novel.

It lacked a strong story, seeming more like a character study of a retired academic cum a world-famous doll maker. It riffs on the anger simmering below the surface of everyday interactions, but it never moves beyond glibness. In this, it reminded me of Pico Iyer’s The Global Soul. The occasional philisophico-poetic reverie falls flat for a lack of a strong framework to hold it in both books.

There is mystery: is the narrator the mysterious concrete killer who has been serially murdering the women of economic illuminati families, or is it his self-loathing African-American friend Jack? But unfortunately Rushdie failed to make me care that much. This book is eminently readable, but its fragmentation comes off as more lazy than intentional. The narrator is not necessarily fully likeable, which is ok, but his transformation is accomplished through a corny love story, no matter how unusual the pairing.

Wednesday, August 20, 2008

A Poem inspired by the film "The Visitor"

Love is something that happens
to someone else.
Until it happens.
In which case we’re all involved.
The case in which we carry
our wounds –
scabs inside, fresh pus, blood,
plasma without –
breaks the moment we let
love inside
breathe.

Let love breathe, I say.
If it founder in impossibility,
it shows us how to try anyway
so our imps
of base feelings ossify
and only their scars remain.

Briefly, papers fall out of the case
creased, scattering in the wind.

You can chase them.

But if you catch one, look at it closely.

Words, bloodied and paled
on pages too barren for speech.

Signs, showing you the way
to forget. To fulfil promises
without remembering them.


Thursday, August 07, 2008

An Homage to India

I have received an increasing number of readers from South Asia. I have long since received hits from Korea, mostly because of my stint of teaching English there. But an increasing number of people in India are visiting my website, and for that I thank them. This is a dedication to my Indian readers, especially those who may or may not be affiliated with the 50 million-strong Communist Party in India.

Please bookmark this page and come back often. I update it about once a week. Also, as usual, I ask that you please visit the sponsors listed at the top and bottom of the page. I put a lot of work into this blog, and these advertisements are a way to get reimbursed (however slightly) for this work. It really doesn't take that much time...

Thank you all.

Friday, August 01, 2008

One Line Missing

It's quiet nights like this, as bumptious
blue lights flicker across curtains suggesting
northern lights, on streets of narrow houses in a row,
with wind disappearing and the smell of sewers
weaving up into air above steel grates; it's quiet
nights like this that remind me of those evenings
of boredom on endless couches in front of televisions,
when hands slip into your
boxer shorts, bedspread allocating
a radius of warmth difficult to resist, and fingers find
the damp curvatures of desire,
torsos wasting away, growing alongside mould
in tv dinner packaging
cluttering the surface of a chestnut coffee table,
under the natter of roommates upstairs gossiping.

Turning on to Bloor, full of drunken celebrants
giggling, arms linked, lights glinting off passing cars,
I avoid the eyes of passers-by, and keep focussed.
This has to be done. It has to end.

Words string themselves together to make sense
of mental decay, of the lead weights attached to our
ankles, attached to each other, fixtures
on each other's walls, sconces hiding burnt-
out light bulbs, words that fill the silence
in which lives the fear that you will be relieved

by the cut line.

Thursday, July 17, 2008

Competitive Salary!

So the Goodwill on Roncesvalles is hiring. They are offering a competitive salary. Competitive with what? How on earth can a salary be competitive? Ok, got it. It's the company that is competing with other companies. Right, they're just copying this grammatical idiocy from everyone else. Shouldn't blame them, right? Gotta beat that Sally Anne, you know. For those of you just hopping aboard the S.S. thrift shop, Sally Anne is the Salvation Army. Cuz your soul is in jeopardy, you know, and the poor are mostly fools.

Who really cares if your salary is competitive? The Indiana Pacers are competitive, but they suck. They round out the bottom of the NBA on a regular basis. My question to you, Goodwill, is are you winning? It's a battle for souls out there, and is your will good enough to hunt the top prize? Are you ready to round out your days with right hooks to your St. Vincent de Paul neighbours?

Monday, July 07, 2008

Death in the Family

when you told me, i was unprepared
knife put down, pared apple rolling
across the counter, falling in the
sink.

she died on a tuesday

somehow the shock wears off enough
for tears to run their runneled
course down my face.

but this was a week later.

you ask me what happened
in that week.
i don't know.

novocaine routine. wake up.
miss breakfast. make coffee.
pee in the toilet. wonder where grief ends.
lie still. don't think too hard. it hurts.
sleep.

finally, fast broken, an apple's skin
parts under my teeth.
it's juice jumps up
into my eye.

my seeing-eye dog whimpers in the corner.

Tuesday, June 17, 2008

Be a Good Cyber Citizen.

And click the google ads at the top and bottom of the page. Thank you, you avatars of divinity.

Sunday, June 15, 2008

The Happening

I went to see The Happening last night, courtesy of my rockin' dentist Arthur Kamin who gives me a $25 cineplex gift card every time I refer a client to him. Of course, I read the NOW magazine review first, and in hindsight, after having seen the movie, I wonder how in tarnation the reviewer missed the parodic elements of this movie. Not a new concept: this is obvious. It follows close on the heels (run for the hills!) of other apocalypse movies such as Cloverfield, 28 days later, 28 Weeks Later, The Mist, The War of the Worlds, and others. But really, who cares about originality when you can have knowing winks, intentionally flat acting to make you wonder what's the real difference between the zombies and the normals (there's none, really), and overly dramatic music that contrapuntally lambastes the banal repartee.

M. Night Shymalan has crafted an underhanded classic in my opinion. All the "bad aspects" of the film, he has somehow recuperated into a work of subtle parody. The NOW reviewer complained of a lack of story. What apocalypse movie has a "story." It's the end of the world for chrissake. People go crazy. Narrative loses its importance in the face of mere survival. The randomness of the beginning and end of this environmental crisis complements the vagueness of the title. Those that survive, like in 28 days later, have to reform the family unit along non-biological lines. While Shymalan breaks the rules of the apocalypse film by refusing to divulge the true cause of it, among the many explanations given, he favours one with a Janus-faced nature: one of ecological catastrophe, and a flaky, but grand plant response to imminent ecological catastrophe. It is telling that Shymalan opposes this explanation to the government conspiracy theory at the end, as shown on a TV debate between an expert warning of human hubris and a host who sides with the government conspiracy explanation, taking a facile fourth estate position. This is basically a confrontation between current left and right political tendencies. The left urges responsible ecological business practises, while ultimately, any conspiracy theory ends up serving the purposes of the Right, by making the government seem more omnipotent than they actually are.

I give "The Happening" three and a half out of five stars. Even though some people were complaining about it after the movie let out, it made people laugh with both ridiculous banalities and over-the-top gore, and at points it freaked them out. That said, Shymalan should stop trying to be Alfred Hitchcock. He's good, but he'll never live up to the master... Both this movie and The Mist owe a heavy debt to The Birds. Luckily, The Happening comes out on the correct and true side of the political spectrum, whereas The Mist has some disturbing rightest tendencies.

Tuesday, May 27, 2008