That's all for now! Until next time my friends!
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Thursday, September 25, 2008
New Tactics of The Invisible Truth. A Laboratory of Poetry and News.
Friday, September 19, 2008
Monday, September 15, 2008
Tuesday, September 09, 2008
Why "Greening" is good for the Economy
Dear Lorne Gunter:
At first, let me pre-emptively forgive you for being named Lorne. I have a certain amount of sympathy for anyone who shares a name with Mr. Green, of some eighties wilderness show fame, you know, the show where they did terrible things to animals in order to make them do exciting things for the cameras. See, the show's name is so memorable I've forgotten it.
But really, in your article "Dion Ex Machina," in The National Post you make the translation "God in the machinery" for the literary device deus ex machina. Where'd you get your degree in literature? Phoenix University? I thought so. It's "God out of the machine," you idiot. I know you've been reading wikipedia lots lately, and you seem to have read the first paragraphs in wikipedia's article about neoclassical grievances with the device as a crutch for an intractable plot problem. But you neglected to consider the effectiveness of the device as used in enduring classics of the theatre, such as oh, say, Euripedes' Medea, which has survived, and been studied and loved since 431 B.C.; The Illiad, one of the cornerstones of Western snivelization; and good ole Bertolt Brecht's Threepenny Opera.
I bet you thought you were clever when you applied this literary device to Stephane Dion's plan to reduce our carbon footprint. It's good that you demanded concrete details. It's bad you think "greening" is just going to cost money, and not generate oodles of wealth. Most economists I know predict that the next booming sector of the economy is the green sector, and they seem sure that it will match or surpass the dotcom boom of the late nineties. Moreover, all those coal-producing and gas burning and nuclear generating technologies you say are already entrenched will cost us far more in the long run than switching to green technologies. What was the cost of Hurricane Katrina again? Oh yeah, don't listen to the majority of scientists who link the greenhouse effect with such storms, they're stupid, right? Duh! Get with the program Mr. Gunter. Green technologies generate wealth; they don't just cost money.
At first, let me pre-emptively forgive you for being named Lorne. I have a certain amount of sympathy for anyone who shares a name with Mr. Green, of some eighties wilderness show fame, you know, the show where they did terrible things to animals in order to make them do exciting things for the cameras. See, the show's name is so memorable I've forgotten it.
But really, in your article "Dion Ex Machina," in The National Post you make the translation "God in the machinery" for the literary device deus ex machina. Where'd you get your degree in literature? Phoenix University? I thought so. It's "God out of the machine," you idiot. I know you've been reading wikipedia lots lately, and you seem to have read the first paragraphs in wikipedia's article about neoclassical grievances with the device as a crutch for an intractable plot problem. But you neglected to consider the effectiveness of the device as used in enduring classics of the theatre, such as oh, say, Euripedes' Medea, which has survived, and been studied and loved since 431 B.C.; The Illiad, one of the cornerstones of Western snivelization; and good ole Bertolt Brecht's Threepenny Opera.
I bet you thought you were clever when you applied this literary device to Stephane Dion's plan to reduce our carbon footprint. It's good that you demanded concrete details. It's bad you think "greening" is just going to cost money, and not generate oodles of wealth. Most economists I know predict that the next booming sector of the economy is the green sector, and they seem sure that it will match or surpass the dotcom boom of the late nineties. Moreover, all those coal-producing and gas burning and nuclear generating technologies you say are already entrenched will cost us far more in the long run than switching to green technologies. What was the cost of Hurricane Katrina again? Oh yeah, don't listen to the majority of scientists who link the greenhouse effect with such storms, they're stupid, right? Duh! Get with the program Mr. Gunter. Green technologies generate wealth; they don't just cost money.
Sunday, September 07, 2008
Lunch with the Furies
I finished Salman Rushdie’s book Fury a couple weeks ago. I think living in America has ruined one of the greatest writers of our time. Fatwas, the occasional newspaper article aside, Rushdie has fallen into a creative abyss. Sure he can play with language, sure he can wax poetic, but as many have told me, that doesn’t necessarily make for a good novel. It was full of insight about modernity, including a knowing wink at certain postmodern philosophers like Baudrillard but ultimately it failed as a novel.
It lacked a strong story, seeming more like a character study of a retired academic cum a world-famous doll maker. It riffs on the anger simmering below the surface of everyday interactions, but it never moves beyond glibness. In this, it reminded me of Pico Iyer’s The Global Soul. The occasional philisophico-poetic reverie falls flat for a lack of a strong framework to hold it in both books.
There is mystery: is the narrator the mysterious concrete killer who has been serially murdering the women of economic illuminati families, or is it his self-loathing African-American friend Jack? But unfortunately Rushdie failed to make me care that much. This book is eminently readable, but its fragmentation comes off as more lazy than intentional. The narrator is not necessarily fully likeable, which is ok, but his transformation is accomplished through a corny love story, no matter how unusual the pairing.
It lacked a strong story, seeming more like a character study of a retired academic cum a world-famous doll maker. It riffs on the anger simmering below the surface of everyday interactions, but it never moves beyond glibness. In this, it reminded me of Pico Iyer’s The Global Soul. The occasional philisophico-poetic reverie falls flat for a lack of a strong framework to hold it in both books.
There is mystery: is the narrator the mysterious concrete killer who has been serially murdering the women of economic illuminati families, or is it his self-loathing African-American friend Jack? But unfortunately Rushdie failed to make me care that much. This book is eminently readable, but its fragmentation comes off as more lazy than intentional. The narrator is not necessarily fully likeable, which is ok, but his transformation is accomplished through a corny love story, no matter how unusual the pairing.
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